Help me find the essay "Description of the Cultural Monument" without SMS

Help me find an essay "Description of a Cultural Monument" without SMS

  1. taxi in Rossosh link is blocked by the decision of the administration of the project and the link is blocked by the decision of the project administration
  2. 1) Monument to the Great Kobzar in Kharkov was laid in the days of the celebration of the 120 anniversary of the birth of the poet in March 1934. For the construction of the monument on a competitive basis, the project of Leningrad architects Langbard and sculptor Manizer was chosen. When creating the sculpture posed the famous actors of the Kharkov Theater of Ukrainian Drama. About two hundred workers of different professions took part in the construction of the monument to Shevchenko. The opening of the monument to the Kobzar took place in March 1935.
    The monument of Shevchenko in Kharkov is a multi-figure sculptural composition. At the top of the pedestal is the figure of the poet, and around, upwards in a spiral, sixteen bronze figures. Such an arrangement of sculptures is a successful find of the creators of the monument. It symbolizes the path of development of Ukraine. The lower figures embody the historical destiny of the oppressed Ukrainian people: it is an emaciated peasant and a young woman with a baby in her arms Shevchenkovskaya Katerina. A little higher the peasant with a scythe in his hands, ready to oppose the oppressors. The two following figures symbolize a ripening protest: one of them is sitting with his hands tied, and the second, standing upright, tears the bonds of slavery. Another figure depicts a man rising from his knees, ready to free himself from the heavy burden of the mill millstone. According to the authors of the project, these figures determine the life of Ukrainians before the organized revolutionary movement begins. Next, the figure of an elderly soldier with a notebook at the top of the boot. This Taras Grigorievich Shevchenko in exile. The figure of the Kobzar divides the multi-figure sculptural composition around the pedestal into two parts. Then we see not only the peasants, but also the workers. One of the figures depicts a worker lifting a banner from the ground. This is a symbol of the temporary failures of the revolutionary movement. Soldiers, sailors, commissars who already have experience in the political struggle and military affairs come to help the peasants and workers. The figures are spiraling higher and higher. And at the last step a solid sculptural group depicting a girl with a book in her hands, a miner holding a banner, and a Ukrainian peasant in a broad-brimmed hat. Kobzar stands on top of the pedestal, with his head slightly bent and making a step forward. The poet seems to want to go through free Ukraine, to recognize each of us in the face. The monument to Taras Grigorievich Shevchenko in Kharkov is rightly considered one of the most successful and majestic monuments of the Kobzar.

    2) Painting The Church of the Intercession on the Nerl was written by S. V. Gerasimov (1885-1964). He basically painted landscapes, for example, After the rain. But in the picture of the Church of the Intercession on the Nerl the nature is depicted in the church. It is one of the most poetic monuments of ancient Russian architecture. And this church is also depicted by SA Baulin, the Church of the Intercession on the Nerl.
    In the picture of the Church of the Intercession on the Nerl it is well shown how a blue river brightly stands out among the light green grass, which reflects blond, fluffy, snow-white clouds. They fascinate with their form and disorder. The fluffy and mighty trees that stand near the church are as high as it is, that even in the not crowned cross the glock dissolves in the air and somewhere high melts in the sky. The church stands on the bank of the hill, which is enveloped by the river Nerl. This cathedral stands out perfectly in this picture, as the church is in the middle of the picture and bert completely attention to itself. The temple is white stone, with graceful forms and violet domes, but here they are golden, because they reflect the bright rays of the sun.
    I liked the painting of the Church of the Intercession on the Nerl by the fact that warm and bright colors of colors were used here. Clear weather is very clearly expressed here, and an unusual, sensitive silence.



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